Fortunately, there are still many original Beswick figurines out there that could be purchased by the avid collector. Collectors of porcelain figurines will be familiar with the wide range of stamps used by manufacturers to mark their work. John Beswick implemented this practice at his Beswick factory and the range of marks or stamps that can be found on Beswick pieces give an invaluable insight into both your provenance and value in the piece itself. The answer to this is certainly no. There are a large number of Beswick figurines in circulation that should not have a mark at all along with the Beswick factory was well-known for unfinished pieces, particularly on a Friday afternoon! The first thing you want to do is look on the underside of each piece. Any kind of marks?
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The Queen liked the pieces so much that in she knighted Henry Doulton for his contributions to England’s ceramic art. By bestowing this royal honor upon the company, King Edward was also giving them the right to be called Royal Doulton. There are three brands that make up Doulton Home: The company has used numerous backstamps, marks and logos over the years. Many figurines have the artist’s initials stamped on the bottom.
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Henry Cole , the museum’s first director Frieze detail from internal courtyard showing Queen Victoria in front of the Great Exhibition. At this stage the collections covered both applied art and science. In the German architect Gottfried Semper , at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. This was to enable in the words of Cole “to ascertain practically what hours are most convenient to the working classes”  —this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry.
This led to the transfer to the museum of the School of Design that had been founded in at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in From the s to the s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road.
It was during this ceremony that the change of name from the South Kensington Museum to the Victoria and Albert Museum was made public. Queen Victoria’s address during the ceremony, as recorded in the London Gazette , ended: By most of the collections had been returned to the museum. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.
Strong’s successor Elizabeth Esteve-Coll oversaw a turbulent period for the institution in which the museum’s curatorial departments were re-structured, leading to public criticism from some staff.
List of Royal Doulton figurines
There is only one Bone China pattern number E. Most examples of this series are marked with the special Dickens Ware back stamp; the only time this mark is missing is when the item base is to small to fit the mark. Shown below are three examples of this mark, the first mark is taken from a bulb bowl with the number D.
This next mark comes off a Vase with the number D.
~ A Royal Doulton Lambeth Stoneware Lemonade Jug dating ~. ‘Doulton, Lambeth, England’. The potter’s mark F. J. stands for Florrie Jones, a Senior Assistant at Lambeth for many years.
The mark was varied from time to time and the table below includes the major marks that appear on tableware manufactured at the Doulton Burslem factory Series Ware and the Lambeth Stonewares often have special marks. The Doulton tableware marks are below the glaze as is the decoration in most cases. It could thus have been applied at any time between the first, biscuit, firing of the ware and the final step of application of the glaze.
Most probably the mark was applied at the time of decoration when each piece would have been handled individually to apply the painted or transfer printed pattern. Specific information is lacking on this point. The reason for the introduction and use of this new mark is not known although it may have been nothing more complex than the need for a smaller mark to fit smaller wares. The simple rule is that adding to the number give the year of production.
The date numbers referred to above also accompany this mark and for the period from about to examples of both marks can be found. Its date of introduction is uncertain, but may be as late as when the Pearson Group floated Royal Doulton plc as an independent company.
manufacturers’ labels & marks (T to Z)
Below are web site links that can be helpful for identifying marks we might come across on open salts. These links will take you to outside web sites, so you will have to use your own browser’s back button to return here. This provides a plug-in method of dating and finding the manufacturer of any glass item registered in England between and Helpful for identifying and dating the color name of a Boyd Crystal Art Glass open salt.
Click on each small chick picture for a larger image.
Except for the “Doulton” (sans “Royal”) mark that dates most pieces prior to (see above), only items impressed with marks used for limited periods can be approximately dated, and then only by general period when the mark was in use.
A display of miniature Polly Peachums in an appropriately sized display! Originally produced in a typical larger size as two models — one standing HN with 6 other colourways and one curtsying again with 4 more colourways , the latter is often referred to as Polly Curtsey in early publicity for the Beggars Opera series. A calendar with Polly dated It is the latter model or second version of Polly that has inspired this post, for as a miniature figure she can be found in more recorded and unrecorded colourways than any other Royal Doulton figure.
Polly mounted on a bell push. Today she can still be found mounted in all manner of useful objects from calendars to bell pushes, and a host of other objects in between! Whilst more easily found versions of her such as M21 in pink are relatively inexpensive, other more unusual versions can easily reach four figure sums, which considering her diminutive size 6cm is quite astonishing! One of a number of colourways that Polly can be found in!
Products displayed in these tables are not for sale unless otherwise stated. They are included here merely for informational purposes and as examples of items on which the marks are found. Any photographs or other information on this website may not be copied or used by others without our prior permission. Viewer contributions are acknowledged accordingly and are also protected under our copyright notice and may not be copied or used by others without our permission.
We welcome and appreciate your submissions. Please be sure to tell us how you would like to be acknowledged for your contributions — by full name or by initials only, or even anonymous, although we do prefer first and last names.
The title of the walk references the different kind of factories, shops and businesses that used to be in the Camden are before the markets made use of the empty spaces and turned the area into one of London’s top tourist attractions. The walk title is still relevant today, but in a different way.
The union did not emerge from a vacuum. North Staffordshire had not been unaffected by the political outbursts of the late 18th century or between the passing of the Combination Acts and there repeal. Massey 22nd November H. Some workers had been imprisoned as a result of action by the employers, and the workers sought financial support from other workers in the area.
The Parliamentary Reform Movement , which had substantial working class support, made itself felt in the Potteries. On 7th February , Joseph Johnson, the Manchester leader, gave a lecture at Lane End, and, on the 10th, addressed 5, — 6, people in Hanley. Leaflets were distributed copies of which are in Hanley Museum.
Royal Worcester Marks
This printed mark was also used from c. This ‘S printed mark has J. This printed mark was used from c. The Registration number was also used from These standard printed mark dates from to
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The following items can be found on the The Quartermaster’s Store website , with full descriptions, photographs and prices. These Beach groups were composed of specialist units of the Army, Navy, and R. The naval element was made up of R. Recovery Section and Pioneer Companies. Beach groups first operated in the landings in Sicily. On 6th June , D Day, on the Normandy beaches beach-group troops landed with the assault troops and distinguished themselves in the establishment and maintenance of the beachhead.
Both badges are in a nice issued and removed from uniform. Minor toning to silver finish. Australian, Eastern Command New South Wales , s Embroidered Cloth Formation Signs – uncut pair Red and green flower machine embroidered on a grey blue background, uncut pair so in unissued condition, each circa 6cm square.
A little grubby but generally good condition. Worn in the Persian Gulf – Each is circa 5cm across. As worn by other ranks. Westlake No refers.
Within ten years he had enlarged the factory three times, built a china works, taken on the largest and most gifted group of artists in the Potteries, and developed for Doulton a reputation for craftsmanship and artistry still identified with Royal Doulton today. There follows a selection of the backstamps most commonly used on Doulton Burslem wares, and some further hints on dating. The information is taken by permission from “The Doulton Burslem Wares” by Desmond Eyles, a compulsory work of reference for any collector of Doulton wares see back page.
The company was absorbed by Royal Doulton in and in the Webb Corbett name was dropped altogether. The company continues in production today under the name Royal Doulton Crystal. The primary Webb Corbett product has always been cut and engraved lead crystal, particularly stemware.
How to date Royal Bayreuth pottery By Cynthia Smith ; Updated April 12, One of the first factories to make pure, white-porcelain ceramics — available to those who were not royalty — was the German factory that makes Royal Bayreuth. Over 25 marks were attributed to the Koniglich Priv. One reason for so many marks is that each plant manager changed the logos during their tenures.
With knowledge of the basic attributes of these marks, Royal Bayreuth pieces can be dated with confidence. Lift the Royal Bayreuth piece to check the base or underside for marks. Incised numbers of one to eight — along with a “T” in script form — are found on early 18th and 19th century pieces. This “T” mark is most often in red overglaze; it also appears in green and black overglaze, and blue underglaze.
It is usually carved into the base. Variations of the handwritten letter “T” identified Royal Bayreuth and Tettau products for nearly years. A standing lion holding a flag with a typescript “T” was done in gold overglaze from to Look for a lion wearing a crown, a shield with a letter “P” or “T” and a company name of Royal Bayreuth or Tettua. The lion’s presence signifies the piece was created after The lion pairs faced each other until , when the lions began looking away from one another.
Aside from a rarely seen incised mark — typically described as conjoined, lit tapers — the Royal Bayreuth logos consisted of these elements.